Lamidi Olayiwola Adeyemi III was the Alaafin of Oyo since 1970, born 1938 to the Alaafin Adeyemi II Adeniran who was forced out of the throne in 1954 for taking sides with… read more
Americanism, the propensity of the Nigerian to lean towards American ideologies increased after independence from the British. However, the year 1938 marked the formal beginning of cultural relations with other countries by the… read more
Wole Soyinka Centre for Arts and Culture, formerly National Theatre, a Nigerian architectural monument, was launched in 1976 by the Head of State, General Olusegun Obasanjo as a venue for the second… read more
Esugbayi, the Oba of Lagos was designated Eleko of Eko, meaning, “the owner of Lagos”. He was the first Lagos monarch to reinforce the title. Others may have abstained for the reason… read more
Nike Davies-Okundaye is a Nigerian artist, who from her first solo exhibition at the Goethe Institute, Lagos in 1968 grew to become one of the major imprints on the international art circuits.… read more
Moremi was an important historical figure, wife of one of the ancient heroes of post-Oduduwa times, possibly Oranyan. Moremi is today reckoned as a Yoruba legend due to acclaimed moves she made to… read more
Dipomu, in Yoruba language, Di opo mu, meaning ‘catch hold of the post’. Ancient judicial practise in southwest Nigeria in which an offender or anyone who was in trouble sought sanctuary in… read more
Anglophonism was the term used in pre-independence times to describe the tendency of the Nigerian to see self as naturally aligned with, or to show allegiance to the English. In Michael Echeruo’s account… read more
Osinyago was one of the short lived Alaafin of Oyo, whose repressive rule led to an inglorious end. Osinyago dedicated himself to the pursuit of wealth but not even his children lived… read more